New York Aging In Style: L'amour Fou" depicts the iconic life of Fashion 's creative genius, Yves Saint Laurent The documentary by Pierre Thoretton concentrates mainly on his stunning homes in Morocco and France. MARNI for H&M. Berge said the results demonstrated he had been right to discount the recommendations of friends telling to hold on the set before the disaster abated. Other top-selling pieces comprised a wooden sculpture by Romania's Constantin Brancusi that brought euro26 million, a 1922 painting by Piet Mondrian that had inspired Saint Laurent's iconic 1965 shift dress, and a snake embellished armchair that establish a record for an item of 20th century furniture, selling at euro21.9 million. Saint Laurent was an
Paradoxically, it's when things start to heat up from a dramatic point of view - as Saint Laurent descends to the bohemian but finally self destructive late 60s world of sex, drugs and beverage - which the picture begins to drop strangely flat and also the script takes on a by-the- numbers facet (here's Yves meeting his next bunch of muses, Betty Catroux and Loulou de la Falaise; here's Yves sauntering around his Marrakech escape; here's Yves becoming wasted at another celebration, to Berge's extreme disapproval).
Saint Laurent's final fashion show in 2002 in Paris plays on a large screen in the entry to the display. Subsequently, viewers are, welcomed by Irving Penn's famous portrait of Saint Laurent, with one eye peeking out from his hand over his face to the galleries. The clothing start having a group of four trapeze dresses, symbolic of Saint Laurent's first collection as head designer for Christian Dior in 1958, the year after Dior expired. The exhibit also has artifacts from Saint Laurent's life.
But while Yves Saint Laurent looks unbelievably amazing, with the handsome set design and costuming you'd expect of a film that had direct access to the YSL archives, Jalil Lespert's movie never truly gets in the heart of what drove Saint Laurent to create, what inspired him to design, and just why he was considered so extremely important in the history of fashion (a trailblazer, he was clearly one of the first designers to put girls in trousers, virtually inventing the notion of the tuxedo suit for women).
He could be the co-founder of Yves Saint Laurent Couture House and onetime life partner and longtime business partner of the late fashion designer Yves Saint Laurent. Thus, in structure and in both surface decoration, Saint Laurent obtained the effect of ethereal, bouyant freedom while retaining the structure of the couture. Pierre Berge (created 14 November 1930) is a French industrialist and patron.
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