Trend Legend Saint Laurent Brought To Life In Biopic



Trend Legend Saint Laurent Brought To Life In Biopic: Friday, June 6th 2008 - the roads of Paris were brimming with citizens, all gathered to pay their respects in the funeral of couturier Yves Saint Laurent (YSL). Two black dresses represent Saint Laurent's use of crystalline substances, one long and entirely see-through another short and with an open lace back, in the center of a gallery that features his most controversial group, from 1971. Saint Laurent sought to reflect the bothersome years in France just like turbans and a green fox fur jacket during World War II with layouts. Yves Saint Laurent in Paris designed it about 1985.

Buzz has built around Yves Saint Laurent," directed by Jalil Lespert, due mainly to the performances of Pierre Niney, who plays Saint Laurent, and Guillaume Gallienne, who takes in the role of Berge. To fine tune the voice and mannerisms of Saint Laurent, the 24-year-old Niney -- who's being hailed as among the most dazzling Gallic talents of the second -- obsessively saw old television interviews of the designer, who perished in 2008.

Director Jalil Lespert was given access to Saint Laurent's Ave Marceau headquarters in Paris which continues to be left complete and the couple's former house in the Majorelle Gardens in Marrakesh, where Pierre Berge disperse Yves Saint Laurent's ashes on a rose garden after his departure in 2008. To Lespert and Niney, Yves Saint Laurent's attempts are heroic and, as with many artists that are tormented, therapeutic.

It's also a love story - that of Saint Laurent and his partner Pierre Berge, whose up-and-down relationship shows the "dark, sombre face" of a man who at times plunged into melancholy, drugs and alcohol, and was unfaithful. Saint Laurent, who expired in 2008 aged 71, ruled the international couture scene in the swinging 1960s, revolutionising women's wardrobes with a fresh androgynous style that mirrored girls's push to get a stronger social function.

Yves' legend was directing that into his meticulously sketched and conceived sets, first as assistant to Christian Dior, then at his own house that was founded by Berge's determination and business skill just as much as Saint Laurent's formidable ability. There is a poignant scene in the movie where Saint Laurent tells Berge he would never have made it without him and Berge answers that Yves' ace would have discovered a means to make it regardless.

His movie is an intimate love letter to Yves Saint Laurent and a sincere attempt to capture a few of the complexity of their relationship. But it is also YSL according Berge and, as with all writers of history, he comes out of it nicely: the patient, tolerant parent to the wayward prodigy kid. And the Colours of Yves Saint Laurent gallery, where guests will appreciate energetic examples from hundreds and his groups of cloth samples.

Obtaining the approval of the controlling Berge meant the filmmakers had unparalleled use of the Saint Laurent archive - 5000 dresses, 15000 accessories and 35000 sketches (unlike a second YSL movie slated for launch later this year which has already been put on notice from Berge who has threatened to sue if so much as a sketch is replicated because film). Yves Saint Laurent the movie is the darker side of Fashion fame as well as a mixed narrative of unbelievable success. But Saint Laurent gorged.

Yves Saint Laurent, Long evening dress, Rive Gauche group, Autumn-Winter 1991. Long evening ensemble, Yves Saint Laurent, Haute Couture set, Autumn-Winter 1983. Yves Saint Laurent, short evening dress, Homage to Pablo Picasso, haute couture collection, Autumn-Winter 1979. Yves Saint Laurent, Black Velvet Sheath Dress, Paris Rose Satin Bow, Paris Haute Couture Collection, Autumn-Winter 1983. Saint Laurent's silver fetched 19.9 million euros against an upper estimate of 7.1 million euros on Feb.

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