New Owners Tipped For Fighting Le Monde

New Owners Tipped For Fighting Le Monde: Yves Saint Laurent works with a model at his Paris Fashion house in 1965. Anyone in New York City who proclaims to really have a love of fashion, an appreciation of the fine arts or any acumen in company must indulge themselves by spending about 100 minutes in their life watching the ascension and then the denouement of this famed pairing through the life that tortured one, due to his own master, as well as the other who spent a lifetime building the empire that was known as YSL and then his own personal accomplishments from the distressed designer.

A multiple love story - between a person and his trade and between two guys whose interaction revolutionized an industry - Yves Saint Laurent" started the 15th edition of the Francophone film Festival in Greece in March. The picture offers the right context with this kind of quest: Born in Oran, Algeria, in 1936, St Laurent spent sketching garments and giving his mom's friends who came round for tea style tricks. Again, Pierre Niney.

Power has traditionally been held by men and "by slipping clothing warn by guys onto women's shoulders, he gave women power," Berge said. Some of Saint Laurent's favourite artists arrive in his garments, including Mondrian with a dress created in 1965 of such clean rectangular lines that mimic the painter was seen in by the chastity Saint Laurent. The safari jacket - another signature piece created by Saint Laurent in 1968 - came in black or suede leather, as a sexual long dress. Berge remains a puzzle.

The homage to Saint Laurent, who died in2008 in the age of 71, opens in the midst of Paris fashion shows, with the preview held on the day the YSL brand displays its fall ready-to-wear selection. The retrospective takes place far in the catwalks, fittingly in the sumptuous halls of the recently renovated 19th century Petit Palais where the city of Paris houses its Musee des Beaux Arts, home to many old masters.

The foundation set itself 3 chief mission statements: the conservation of 5.000 Haute Couture garments and 15.000 accessories, sketches, arranging exhibitions in vogue, photography, art and support cultural and educational activities. A Chinese bronze rabbit head, right, and bronze rat head, which are part of the Yves Saint Laurent and Pierre Berge art collection, are seen presented in this photograph taken Saturday Feb. Pierre Berge is a French industrialist and patron.

A trail on the cards?' However, while Bonello is not allowed Berge's support -- Berge has even prohibited Bonello reaching the Berge Saint Laurent Foundation -- he has obtained the support of the brand owner Francois Pinault, who layouts for the picture and has given them permission to use the YSL logo of YSL. Additionally, it means he is prone to direct the business in the way that Berge initially envisaged. In the picture, it's Berge who steps from the limousines first.

STAMBERG: Trend is just not an important art, Saint Laurent says in the movie to which Berge answers, just how you do it, you've got to be an artist. STAMBERG: In 1966, Saint Laurent created Le Smoking, a tuxedo coat coupled with slim slacks - a pantsuit for women. The movie recreates lots of his fashion shows - magnificent super skinny models to draped zipped into real Saint Laurent originals.

You have to know a lot about his friends and Yves Saint Laurent to understand the story, otherwise you might have no clue who is who and what all occurs. The film reveals aspects about YSL's life, only Pierre Berge knew about and likely felt the need to tell the world. The fact YSL couldn't function without him and it feels like Berge is frustrated about events that are specific and is seeking recognition for his part in the history of YSL.

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