Designer Focus Yves St Laurent (YSL).the REPRISE



Designer Focus Yves St Laurent (YSL).the REPRISE: The idea of designer Hedi Slimane transferring Yves Saint Laurent's creative studio in the chic streets of Paris seems shocking, illogical, unimaginable. Given the fabric which is covered by "The Private World of Yves Saint Laurent and Pierre Berge," a reader might have expected this book to be one of the very fascinating interior design volumes issued in decades, as well as in this respect it doesn't disappoint. Really, the richly-layered environments and lavishly-loved lifestyles crafted by the late designer Yves Saint Laurent and his partner Pierre Berge compel anyone to delve into the book over and over again. Berge and Yves Saint Laurent in 1958 met.

During his 40 years of designing, Saint Laurent (1936-2008) transformed the female wardrobe by borrowing the tuxedo, the trouser suit, short pants as well as the safari jacket from men's clothing, transferring these symbols of power from one gender to the other. Mr. Berge, they dare you to say this is quite YSL and if you do, you deserve never to join him. At the Paris theater uptown and the IFC theatre downtown.....it was an instance of l'amour fou!

While the primary movie was a square look at Yves Saint Laurent's life, the unauthorized Saint Laurent is described by Variety as a "somewhat deranged auteur portrait." There's a lot of nudity, drugs, and casual sex, and yes, Variety says "it is a less flattering portrait." One crucial scene entails the departure of the designer's Frenchie after the dog eats pills which were left absent-mindedly in the ground.

Director Jalil Lespert's new biopic, Yves Saint Laurent, is rather amusing and well acted, especially by the two leads: Guillaume Gallienne and Comedie Francaise actors Pierre Niney as Saint Laurent and Pierre Berge. It's not so much a life of YSL, however, as this is a life of YSL as seen by Pierre Berge, his lifelong companion and company associate, who handled all the designer's affairs while he was alive and now seems intent on managing his posthumous picture as well.

The sight of his drunken revelry makes it simpler to accommodate the Saint Laurent of the later years - a portly, off-balance older gentleman in a gray business suit known for dressing Catherine Deneuve -- with the dazzlingly gifted young man who once posed nude looking in the manner of a rock star Jesus. And above all, Saint Laurent was interested in surging forward, pressing against the boundaries.

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